In the past 18 months, Ibai Acevedo’s photos have plunged off a cliff of quirky poses into organic depths, and I find them much more inviting this way. In April 2009, here’s his Elvish queen. Back to the present, actual film. His brazen talent is maturing and put to use now for casual moments. There’s no longer a need to knock us back with hues or to flatter our tastes for weird. I’m content for him just to observe. His native Barcelona. Another. Another. Another. [via]

In the past 18 months, Ibai Acevedo’s photos have plunged off a cliff of quirky poses into organic depths, and I find them much more inviting this way. In April 2009, here’s his Elvish queen. Back to the present, actual film. His brazen talent is maturing and put to use now for casual moments. There’s no longer a need to knock us back with hues or to flatter our tastes for weird. I’m content for him just to observe. His native Barcelona. Another. Another. Another. [via]